Bumm Bumm Bole Movie Review: Priyan’s mishmash remake of a classic

As Taare Zameen Par grew in popularity, Priyadarshan was one of the first to announce a movie with the child star- Darsheel Safary. And the subject was something that drew mixed reactions- a remake of Majid Majidi’s renowned Iranian film “Children of Heaven”. Though Priyan has always been known as a remake factory, there were some changes being noticed of late. First of all Priyan made a truly offbeat Tamil movie- “Kanchivaram” which has received wide acclaim. Later Priyan went on record to say that he wanted to make more such serious films and announced projects on subjects like land mafia, AIDS etc. All this put together made me feel that Bumm Bumm Bole ( BBB from hereon ) could be a cakewalk for Priyan- after all he just had to replicate the film in its entirety.

As the release of the film drew near & as more and more people started sniggering while talking about the film, I wondered what the fuss was all about. I thought why a veteran who’s made 75 + films should falter by making a simple children’s film. As the film starts with a clear cut credit to Majid Majidi & his film, you start feeling even better. I guess that’s where I probably went all wrong. I’m sure most of the people reading this post on PFC would have seen Children of Heaven, but still let me get on with the plot for the convenience of the others.

BBB is a story focusing on a lower middle class family living in hills of Assam (more on that later). Atul Kulkarni and Rituparna Sengupta play the parents of Darsheel & Ziyah. Both the parents lose their jobs at the same time and its hard days at home. One day Darsheel loses the sandals of his sister which he had taken to get it mended by the cobbler. Knowing that his father has no money to buy a new pair of sandals or shoes for his sister, Darsheel asks his sister to wear his shoes while going to school since they have different school timings.

Thus begins the tale of the siblings sharing a weather beaten pair of shoes and all the trouble and heart burn that the children face in between. Against this backdrop we also get to see the kind of struggle that their parents go through. The story nears conclusion when Darsheel takes part in an inter school marathon with the sole objective of winning the 3rd prize- a lovely pair of sneakers. But as fate will have it otherwise he ends up winning the race. But by the time the movie ends with some in your face in-film branding moment (more on that later) you will be thoroughly irritated with the film.

Priyan gets it completely wrong this time & you realize this from the very first scene in the movie- a bomb blast in broad daylight. Right then you know that there is going to be something terribly wrong in this remake. So you have the terrorism angle floating in the background of the movie which was totally unwarranted and the kind of geographical representation shown in the movie will make you shake your head with wonder. Presumably based in Assam, the film has been shot in Ooty, has outfits/costumes of Kashmir and yeah the people talk in regular Hindi all throughout. Wow! isn’t that too strange a concoction?

Well that’s not the end of the tale my friends. As the movie gets over and the audience disperses you hear most people whispering how the movie appears more as a promo for a prominent footwear brand. As someone who’s sold/marketed consumer goods for quite some and who has an interest in movie marketing I can tell you that the in film brand placement as seen in BBB is something that any filmmaker should vehemently oppose. For the sake of commerce if the entire brand placement appears forced and even gross at times, it doesn’t add value but actually harms the film.

In Billu Priyan went overboard with the projection of SRK the superstar with posters all over the town ( in the film )& the kind of songs used with him. Here he goes one step further by making a brand look larger than the film itself. Children of Heaven is a great emotional roller coaster ride with wonderful moments between the siblings and some reference to the father- son relationship depicted excellently. As the film draws to a close with the marathon race, your heart is racing along with the characters and at the end you are left too stunned to react.

Here you feel nothing- virtually nothing for anybody. To be honest Darsheel and Ziyah are efficient while Atul is decent as well (but tends to go a bit overboard with the dialogues) but you never get to connect with them. For those who’ve seen the original film, BBB is a laborious watch while it may just about be ok for probably for those who haven’t seen the original version. A humble request to Priyan and all those who plan to remake such classic films- please leave them alone especially if you are hell bent on screwing up with the original in question.

Originally published in PFC- http://passionforcinema.com/bumm-bumm-bole-movie-review-priyan%E2%80%99s-mishmash-remake-of-a-classic/

Priyadarshan- The Run Machine of Indian Cinema

So far this year we have seen the frenzy generated by SDM and the success of movies like Dev D and Raaz- the Mystery Continues. And of late we have been hearing a lot about the ongoing strike in Bollywood. But there has been a landmark that was also noticed in the 1st Qr of 2009, something which did not really get so much of attention. This landmark was achieved on 13th February ’09 when Billu got released. No this write-up is not something about either Billu or SRK. For those who are not aware I wish to inform that Billu is the 75th movie directed by Priyadarshan in his career spanning around 25 years in Indian Cinema. This is indeed a commendable achievement because there aren’t too many directors with such a big tally of completed projects and more so when it’s from someone like him who has successfully made a transition from South Indian cinema to Bollywood.

Oh! Yes we all know that a lot of his recent movies have started getting repetitive. There are valid complaints like he’s been using the same locations time & again, he’s been working with a stock set of actors, he continues to remake his own movies or those directed by others (mainly Malayalam) etc. But all said and done we just cannot ignore the fact Priyan has given us countless memorable movies in Malayalam like Chithram, Thalavattom, Kalapani etc and even some of his early Hindi movies have been quite refreshing like Gardish & Virasat. This year also has finally seen the release of his critically acclaimed Tamil movie- Kanchivaram. This year also is seeing him work on serious movies like Bum Bum Bole (with Darsheel Safary and supposedly inspired from Children of Heaven) and an untitled movie on AIDS awareness with Akshay Kumar and Mohanlal.

Hence considering all this I think this is the right time to look back in time and re-visit some of the best works of Priyan. Given below are 5 films that I feel would be top on my list and they are described below in chronological order. Considering his repertoire it has not been easy for me to choose the movies. But nevertheless here I go-

Poochakke Oru Mookuthi- This Malayalam movie released in 1984 was Priyan’s debut movie which he went on to remake later in Hindi as Hungama. The movie was a brilliant comedy of errors and had superlative performances not just from the lead cast of Shankar,Menaka and Mohanlal but also from the supporting cast like Nedumudi Venu,Sukumari, Shankaradi, Jagathy Sreekumar etc. The ‘chaotic’ style of climax which is a Priyan trademark actually originated from this movie. One of the best scenes from this movie is when Shankar an aspiring singer comes to teach music to Sukumari and Nedumudi Venu interferes. The scene does not feature in Hungama. Given below is the video link- have a look & enjoy J



Thalavattom- Released in 1986, this Malayalam movie was unsuccessfully remade by Priyan later in Hindi as Kyunki. With more than subtle shades of One Flew over the Cuckoo’s Nest, what made the movie special was Mohanal playing the character of Vinod who is mentally ill. Mohanalal’s portrayal was extremely convincing and was ably supported by others like Karthika, Nedumudi Venu, Soman,Jagathy Sreekumar etc. Inspite of the slightly serious subject Priyan retained his comic touch in the movie with some memorable comedy scenes like the one in the link below-



Music by Reghu Kumar also deserves a special mention here.

Chithram- Released in 1988, this Malayalam movie is one of the biggest hits in the history of Malayalam cinema. The movie was so successful that it went on to be remade in a lot of other languages including Tamil and Hindi but none of them were directed by Priyan, The movie was written by the prolific actor-writer Sreenivasan and once again had Mohanlal in the lead. Chithram is the story of Vishnu ( Mohanlal ) a photographer who goes to jail for accidentally killing his wife and then escapes from jail to make money for his child’s surgery. That’s when he comes in contact with Kalyani ( Renjini ) and her uncle ( Nedumudi Venu) who want him to act as Kalyani’s husband to make her father ( Poornam Vishwanathan ) happy as he is ill & on vacation. What ensues is a comic series of adventures with an extremely emotional climax. Music by Kannur Rajn was also one of the main reasons for the movie’s success. Given below is the link to the video of my favorite song from the movie – Doore kizhakkudikkum sung by M.G.Sreekumar and Sujatha.



Kilukkam- This Malayalam movie released in 1991 was also remade by him in Hindi as Muskurahat. It is certainly one of the best comedy films in Malayalam cinema – but definitely not just a routine comedy. While Mohanal as Joji the tourist guide in Ooty and Revathy as the orphan in search of her father were certainly commendable, IMO the actual star of the movie is Jagathy Sreekumar who plays the role of Mohanalal’s friend Nishchal.This movie is one of the best examples to showcase the powerhouse of talent that Jagathy Sreekumar is. Watch the scene in the video below – one of my favorites from the movie. This was one of the earlier works of Sharat Saxena in South Indian cinema.Music by S.P.Venkatesh was also in line with the mood of the film.




Kalapani- Not all movies directed by Priyan were comedies and Kalapani ( Siraichalai-Tamil, Saza-E-Kalapani-Hindi) is a fitting example to underline the statement. The movie told the poignant story of a doctor (Mohanlal) who is wrongly accused of being a naxalite and sent to the Cellular Jail in Port Blair (Andaman & Nicobar Islands). The movie brilliantly described the cruelty that the Indian freedom fighters suffered in the Cellular Jail during the British regime. Performances by the supporting cast of Amrish Puri,Prabhu,Tabu,Annu Kapoor etc were all praiseworthy. Music by Ilayaraja and cinematography by Santosh Sivan further enhanced the appeal of the story.Earlier this year when I finally got to visit the Cellular Jail, I couldn’t but help recollecting a lot of scenes from the movie.

Apart from these 5 movies certain other movies also deserve a special mention like Thenmavin Kombathu (Saat Rang Ke Sapne by Priyan inHindi), Akkare Akkare Akkare
the 3rd part in the classic Dasan-Vijayan police series , Vandanam, Mukundetta Sumithra Vilikunnu. Do let me know what you all feel about these movies and about the other movies made by Priyan. Here’s hoping that Priyan – the run machine of Indian cinema continues to entertain us with his movies and makes even better movies hereafter.

Note- I have not mentioned any Tamil or Hindi movie in my list because all his movies in Hindi and Tamil have been direct remakes of other South Indian movies (mainly Malayalam) directed by Priyan himself or others.

Originally published in PFC- check it out here- http://passionforcinema.com/priyadarshan-the-run-machine-of-indian-cinema/