Endhiran & the Magic of Rajnikanth

As I write this there are lakhs of people across various parts of the Country especially in the Southern States who are all sharing something unique- the joy of celebrating the arrival of the latest movie of their favourite movie star. All of them indeed are fans of the one & only Superstar-Rajnikanth. There are shows which started as early as 3.30 a.m today in various parts of Tamil Nadu for ‘Endhiran’, Director Shankar’s dream project with Rajnikanth, Aishwarya Rai & Danny Denzongpa in the lead. Combined with the Hindi (Robot) & Telugu (Robo) versions the movie is opening up to a mind boggling 2000 + screens Worldwide.

Reports have been positive so far and I’m sure this weekend will see lots of people across the globe, lapping up the movie. Which makes me ask the question- what is it that makes Rajni the phenomenon that he is? What makes people line up in anticipation months ahead of his film’s release and create the kind of buzz that’s unimaginable otherwise?Well the only answer to this could be – charisma. It’s the charisma of Rajnikanth that makes him come across as a larger than life phenomena and creates the aura around him.

The dynamics of the movie business has changed and today it’s the multiplexes which account for the bulk of the business though in terms of sheer numbers the single screens and cineplexes still are the majority. Gone are the days when we used to have 100 days (and later 50 days ) benchmark as the qualification for a hit status. In fact we were even used to silver jubilees ( 25 weeks ) and golden jubilees ( 50 weeks ) on a regular basis. But today it’s carpet bombing of theatres thats in vogue. Earlier when a Baasha or a Padayappa would release then outside South India except for select places like the good old Aurora Cinema in Matunga, Mumbai, there were hardly any other places to watch his films.

Milk abhishekam for Kuselan

So much so that I remember so many people who would actually come down to Chennai or their respective home town from a Delhi/Mumbai during the release of a Rajni film. With Sivaji-The Boss all that changed. One single movie, which brought Shankar and Rajni together for the first time, soon changed the way exhibition/distribution of South Indian films happens in the rest of the country. Sivaji ( and later Dasavatharam ) showed that there is a market for a Rajnikanth ( and Kamal Haasan ) outside the regular perceived audience too. As Sivaji-The Boss opened to a wide number of multiplexes and single screens in Mumbai and opened up new markets like Pune, Delhi/NCR, Kolkata, Gujarat etc, more and more people started taking notice of South Indian films. Even for a film which failed miserably like Kuselan ( which had Rajnikanth in a cameo and not the lead role ) the buzz was quite prominent.

But while carpet bombing of theatres/multiplexes became regularised and the importance of the opening weekend became all the more pronounced, some things still remain the same. Shows starting at mid-nite / early morning still continue to be the norm for a Rajni movie and it’s not different for Endhiran either. Fans performing milk/beer abhishekam still continues. The buzz across media (online/offline/visual) continues to be strong. While I’m not trying to debate on whether its right or wrong, I certainly do acknowledge that it’s the charm associated with all these things also which lends that special touch to cinema.

Last time around when Sivaji-The Boss released, it was just the Tamil and the dubbed Telugu versions alone that released (the dubbed Hindi version came after ages). But this time the dubbed Hindi version is releasing simultaneously. Given that there is a strong opposition in the form of a frontline Hindi film like Anjaana Anjaani which is releasing; it’s commendable that Robot has managed to get a widespread release in the Hindi belt. In fact a few days ago while promoting Anjaana Anjaani in Hyderabad, Ranbir Kapoor is known to have told the people “You can watch our film if you don’t get tickets for Endhiran”. That in a nutshell tells us how strong the buzz is for Endhiran.

And it’s also an event that brings alike people of all kinds of all strata of society for the single reason- the need to be a part of the festivity. I have never been a true blue fan boy of Rajnikanth ( and I’m being honest here ) but I have always marvelled at the kind of hysteria the man is able to bring out with just a single action or a sentence spoken. So the day of a Rajnikanth movie release is the time when I go out and witness the phenomena for myself again and see the magic come alive. When Sivaji-The Boss released, I happened to be in Vijayawada on the Friday of release. Friends and acquaintances who have nothing to do with films were calling or sending me SMS’s and telling me how they have enjoyed their movie.

Having decided to watch it in Tamil the first time I cooled my heels till Sunday when I reached Chennai and could finally watch the movie. This time around I’m missing the action in Chennai as I’m in Mumbai but I’m trying to ensure that I’m still having my share of fun. I’m heading over now to watch Endhiran maybe twice (including at the Imax Dome in Wadala ) today and soak in the magic. So are you all set for the magic as well???

Originally published in PFC- http://passionforcinema.com/endhiran-the-magic-of-rajnikanth/

Endhiran Movie Review : Man Vs Machine

Dedicated to the memory of the late Sujatha Rangarajan who’s contribution to Endhiran is immense.

Director Shankar’s much in the news Endhiran finally hit the theatres this weekend and I was one among the curious onlookers on the first day. Curious for various reasons- 1. Shankar’s last film- Sivaji- The Boss had created a mass hysteria in the box office, proving that Shankar + Rajnikanthwas a very lethal combination.2. Also Endhiran was Shankar’s dream project, something which he had conceived nearly a decade ago and so was all the hype justified? 3. How was Shankar going to present the 2 different Rajnikanth’s in the film? 4. With the film receiving such a widespread release (even in the Hindi belt with the dubbed Hindi version) would the strategy work?

The movie begins with Dr.Vaseegaran ( Rajnikanth ), a robotics expert working day & night and finally completing his dream project- Chitti, the android-humanoid robot. Vaseegaran makes Chitti look just like himself as he passes on his way of speech & mannerisms too. The aim is to make Chitti an effective agent of use for the Indian Army. So immersed is Vaseegaran in his work that he even ignores all the calls , messages & even visits of his girlfriend, Sana ( Aishwarya Rai ), a Medical student.Vaseegaran unveils Chitti at an International Robotics Conference and that’s where Dr.Bohra (Danny Denzongpa ), Vaseegaran’s mentor and the head of AIRD ( Artificial Intelligence Research & Development ) also sets his eyes on Chitti. While the whole world goes gaga over Chitti, Dr.Bohra feels extremely jealous that his protégé Vaseegaran has made such a wonderful robot, as his own attempts at creating a similar robot hasn’t yet yielded the same result. We then see Chitti going through a lot of experiences (some of them humorous) as Vaseegaran wants him to get a slice of living with the humans before sending him for trial with the AIRD.

Aurora Cinema @ Matunga,Mumbai decked up!!!

Later during the trial for approval at AIRD Chitti is rejected by Dr.Bohra as he feels that Chitti can be a danger since it has no emotions and can thus be misused. Not wanting to give up on his labour of love, Vaseegaran strives hard to instil the required emotions in Chitti. And as Dr.Bohra says at the interval point- “ inimey than kadhaye aarambam” ( the story begins only now ). The rest of the movie shows Chitti discovering a whole host of emotions and in the process moving away from his creator, Vaseegaran.

For those expecting standard Rajnikanth prop’s like an opening song, punch dialogues, the hero doing superhuman stunts etc- there could be some disappointment as Endhiran has none of all this. But Shankar ensures that you still feel entertained nevertheless. It is Chitti the robot who takes the cake as there are two separate dimensions to him that are shown with a lot of contrast interestingly. The SFX work is top notch and the last 20 odd minutes in particular is the highlight of the film as Rajnikanth takes on so many larger than life avatars which need to be seen to be believed.
The camera work of Rathnavelu is top notch be it in the song sequences like ‘Kadhal Anukkal’ or ‘Kilimanjaro’ (which are shot in exotic never before seen locales) or even in the interior shots. Sabu Cyril’s art design is brilliant be it the scientist laboratories of Vaseegaran and Bohra or the AIRD campus. SFX work is even seen wonderfully in the songs like ‘ Irumbile Oru Irudhayam’ and ‘ Arima Arima’ ( the song though comes as a speed breaker in the film ).

Kilimanjaro Song

Talking of performances, Santhanam and Karunas do not really add any value and their attempts at comedy fall flat. Danny Denzongpa is very effective as Dr.Bohra, but one really wishes there was more for the character in the movie. Aishwarya looks pretty and nothing more to say about her, though she does have a presence throughout the movie. Which brings me to Rajnikanth, the life of the movie. Well Endhiran is another example of the charisma of the superstar being brought into the forefront. As Chitti in particular Rajnikanth carries off the dual shades very well indeed. It’s been ages since we’ve seen Rajnikanth in a role with negative shades and when Chitti walks in front of the mirror & strikes a pose, before giving aloud an evil laugh, you are transported back to an earlier era. In some ways you get to see vintage Rajnikanth ( like Alex Pandian in Moonru Mugam ) and also the actor in him whom we rarely see these days ( especially after Baasha ). A.R.Rehman’s music is good (especially the songs mentioned already ) but in all it is certainly Shankar’s victory as he has almost clearly achieved what looked pretty difficult.

Trying to keep Rajni restrained at times and yet giving him scope to explode at the right time, requires a very delicate balance in terms of the screenplay and direction. That’s why it is as much Shankar’s victory as it is Rajnikanth’s. So all said and done Endhiran is a special effects extravaganza that works along with the charisma of the man called Rajnikanth.

Originally published in PFC- http://passionforcinema.com/endhiran-movie-review-man-vs-machine/

Eeram- S Pictures does it again

Imagine a typical day in your life when you go around with the regular routine, be it at work or home and then settle down to end the day on a rather nonchalant note. And at that particular moment if you were to come across something out of the ordinary, wouldn’t that really catch you by surprise? I had a similar experience last week when I saw the latest Tamil movie from the stable of S Pictures- Eeram. Now S Pictures, the movie production firm of Director Shankar has been known to make some small/medium budget interesting movies (unlike the big budget mass movies directed by Shankar himself for outside production houses ) like Kadhal, Veyyil, Kalloori etc. S Pictures has enabled debutant directors like Simbudevan to make a mark and also given a fresh lease of life to directors like Balaji Sakthivel,Vasantha Balan etc who couldn’t achieve much success with their initial movies. Continuing in this journey we now find another debutant, Arivazhagan (who has assisted Shankar earlier) coming up with his first film- Eeram (which means dampness in English).
As the movie begins, a cop Vasu ( Aadhi of Mirugam fame in a totally different avatar ) is called on to investigate the death of Ramya ( Sindhu Menon ).When Vasu arrives at the spot it is raining and throughout the movie water in the form of rain or otherwise is seen as an element in the narrative. Ramya’s body is recovered from a bath tub in an apartment of a high rise apartment complex. And since there is a suicide note left behind, it makes everybody including the police convinced that it’s a case of suicide. But somehow Vasu feels that there is something else apart from what meets their eyes and carries on with the investigation. And as Vasu gets emotional after seeing Ramya’s body, it is revealed that Ramya and Vasu used to love each other in their college days in Trichy.
Ramya’s sister Divya ( Saranya Mohan ) supported their love affair but since Ramya’s father disapproves of the same, they drift apart. Vasu goes on to fulfill his dream of becoming an IPS officer and Ramya marries Bala ( Nandha), a businessman and moves to Chennai. All this is depicted through flashback and then cutting back to the present there occurs a series of deaths all in a bizarre manner, one after the other. But this makes Vasu all the more determined to solve the mystery as he thinks there is a link to all these deaths. Slowly the movie evolves into an interesting thriller with a hint of the paranormal/supernatural touch.
One of the major highlights of the movie is the interval point where the director makes a startling revelation and manages to maintain the flow of the narrative later on adequately.Manoj Paramahamsa’s camera work literally adds strength to the film and brings out the blue and red colors (the colors by themselves qualify as elements in the movie) brilliantly. Thaman’s background score is certainly adequate and talking about the performances from the cast one can say that Arivazhagan’s choice of actors is excellent. Aadhi carries off the cop act convincingly and Nandha once again reminds you that he is an actor with potential. Sindhu Menon truly impresses and both Saranya Mohan and Srinath (as Nandha’s friend) do justice to their roles.
Overall this is a film which does manage to impress and keep the viewer fairly engrossed. It’s a welcome addition to the growing list of interesting Tamil movies the current year has witnessed so far.

Originally published in PFC.Check it out here- http://passionforcinema.com/eeram-s-pictures-does-it-again/